Over the years as I’ve talked to many worship leaders, I have encountered different approaches to Sunday morning worship – some who are vehemently opposed to structure and click tracks and arrangments and others who have their entire worship set planned to the ‘T’ without much wiggle room.

One of the questions that has come up time and time again is how close should Sunday morning worship resemble the recordings? I mean if Chris Tomlin, Jesus Culture, and Hillsong do it it’s gotta be from God’s rulebook, right? Well, maybe not God’s rulebook. But it can be helpful to use what others have done.

I like to strike a healthy balance between personal arrangements, recorded arrangements, and the spontaneous.

Here’s my thoughts:

UTILIZING RECORDED ARRANGEMENTS SAVES YOU TIME

As a busy worship leader, this is great. You don’t have to personally and creatively arrange every single song because someone has already done that work. Just listen in, take notes, and teach. It’s nice to use what they’ve done and build upon it.

UTILIZING RECORDED ARRANGEMENTS IS THE BEST WAY TO TRAIN YOUNG MUSICIANS

Young musicians are not typically honest about how bad they are. I don’t know what it is but it’s easy for we musicians to get an inflated view of ourselves. We easily blame external factors (can’t hear, can’t see the music, use the “it’s OK I’ve got it” comment, etc.) for our mistakes. Maturity is learning to admit when you mess up (maybe I should save this for another post :))Holding young musicians accountable to learning and playing their part of a recorded song teaches them a much needed discipline if they want to be good musicians.

ARRANGE, BUT LEAVE SPACE

At my church we typically do four songs for our main worship set. Not all four of those songs are sequenced and perfectly arranged. I usually leave one or one and a half for flowing purposes and ‘see where it goes’. This keeps the worship time from becoming too mechanical. Listen in to the Holy Spirit and follow Him where he is going.

Worship Leaders: what are your thoughts on the “do it like the recording” debate?